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	<title>All &#8211; Trampoline Association</title>
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	<title>All &#8211; Trampoline Association</title>
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		<title>Tessa Giblin</title>
		<link>https://trampoline-association.fr/en/commissaire/tessa-giblin-2/</link>
		
		<dc:creator><![CDATA[Victoria]]></dc:creator>
		<pubDate>Thu, 09 Jul 2026 13:25:15 +0000</pubDate>
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					<description><![CDATA[Professor Tessa Giblin is the Director of Talbot Rice Gallery, University of Edinburgh and holds a Personal Chair in Contemporary Curating with Edinburgh College of Art. She has held curatorial positions in Scotland, Ireland, the Netherlands and Aotearoa/New Zealand, where she was born and raised. While at Talbot Rice Gallery, she has curated and published [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Professor Tessa Giblin<span style="font-weight: 400;"> is the Director of Talbot Rice Gallery, University of Edinburgh and holds a Personal Chair in Contemporary Curating with Edinburgh College of Art. She has held curatorial positions in Scotland, Ireland, the Netherlands and Aotearoa/New Zealand, where she was born and raised. While at Talbot Rice Gallery, she has curated and published books with Samson Young, Angelica Mesiti, Emeka Ogboh, Celine Condorelli, Jesse Jones, El Anatsui and Wael Shawky, and curated many group exhibitions that engage with the culture, politics and changing tides of the world around us. She was previously Curator of Project Arts Centre in Dublin 2006-16, guest curator of the 2015 steirischer herbst festival exhibition in Graz, Austria, and Commissioner &amp; Curator of Ireland at  Venice Biennale in 2017 with Jesse Jones’ </span><i><span style="font-weight: 400;">Tremble Tremble</span></i><span style="font-weight: 400;">, an exhibition that later toured to Bilbao, Adelaide, Singapore, Dublin and Edinburgh.</span></p>
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		<title>Reiko Tsubaki</title>
		<link>https://trampoline-association.fr/en/commissaire/reiko-tsubaki-2/</link>
		
		<dc:creator><![CDATA[Victoria]]></dc:creator>
		<pubDate>Fri, 17 Jul 2026 14:05:12 +0000</pubDate>
				<guid isPermaLink="false">https://trampoline-association.fr/?post_type=commissaire&#038;p=2403</guid>

					<description><![CDATA[Reiko Tsubaki is curator. Tsubaki joined Mori Art Museum in 2002. At Mori Art Museum, she curated Medicine and Art (2010) Universe and Art (2016)(2017 toured to the ArtScience Museum in Singapore) Leandro Elrich (2017) Roppongi Crossing (2019), STARS (2020-2021), Our Ecology (2023-2024) Louise Bourgeois (2024-2025) and The Architecture of Sou Fujimoto (2025). For other [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><span style="font-weight: 400;">Reiko Tsubaki is curator. Tsubaki joined Mori Art Museum in 2002. At Mori Art Museum, she curated </span><i><span style="font-weight: 400;">Medicine and Art </span></i><span style="font-weight: 400;">(2010) </span><i><span style="font-weight: 400;">Universe and Art </span></i><span style="font-weight: 400;">(2016)(2017 toured to the ArtScience Museum in Singapore) </span><i><span style="font-weight: 400;">Leandro Elrich </span></i><span style="font-weight: 400;">(2017) </span><i><span style="font-weight: 400;">Roppongi Crossing </span></i><span style="font-weight: 400;">(2019), </span><i><span style="font-weight: 400;">STARS</span></i><span style="font-weight: 400;"> (2020-2021), </span><i><span style="font-weight: 400;">Our Ecology</span></i><span style="font-weight: 400;"> (2023-2024) </span><i><span style="font-weight: 400;">Louise Bourgeois</span></i><span style="font-weight: 400;"> (2024-2025) and </span><i><span style="font-weight: 400;">The Architecture of Sou Fujimoto</span></i><span style="font-weight: 400;"> (2025). For other projects, she introduced Ho Tzu Nyen, Tala Madani, Camille Henrot, Takata Fuyuhiko, Cyprien Gaillard, Cao Fei and Yamauchi Shota. She also curated </span><i><span style="font-weight: 400;">MAM Research 006: Chronicle Kyoto 1990s,</span></i> <i><span style="font-weight: 400;">MAM Research 011: Tokyo Underground 1960-1970s</span></i><span style="font-weight: 400;">. Outside the museum, she curated </span><i><span style="font-weight: 400;">The Cosmos as Metaphor</span></i><span style="font-weight: 400;"> (Kyoto, 2012), </span><i><span style="font-weight: 400;">Duality of Existence: Post Fukushima </span></i><span style="font-weight: 400;">(NY, 2014) and </span><i><span style="font-weight: 400;">Body, Love, Gender </span></i><span style="font-weight: 400;">(Seoul, 2023). Visiting professor at Seian University of Art and Design (2013-2014) and a part-time lecturer at Aoyama Gakuin University (2019-2023). She also writes, lectures and judges.</span></p>
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		<title>Nima Esmailpour</title>
		<link>https://trampoline-association.fr/en/commissaire/nima-esmailpour-2/</link>
		
		<dc:creator><![CDATA[Victoria]]></dc:creator>
		<pubDate>Tue, 28 Jul 2026 15:49:53 +0000</pubDate>
				<guid isPermaLink="false">https://trampoline-association.fr/?post_type=commissaire&#038;p=2551</guid>

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		<title>Sarah McCrory</title>
		<link>https://trampoline-association.fr/en/commissaire/sarah-mccrory-2/</link>
		
		<dc:creator><![CDATA[Victoria]]></dc:creator>
		<pubDate>Thu, 09 Jul 2026 13:29:41 +0000</pubDate>
				<guid isPermaLink="false">https://trampoline-association.fr/?post_type=commissaire&#038;p=2354</guid>

					<description><![CDATA[Sarah McCrory is the inaugural Director of Goldsmiths Centre for Contemporary Art (CCA) which opened in 2018. Previously, she directed Glasgow International, a biennial festival of visual art, from 2013-2017, and was curator of Frieze Projects, Frieze 2010-2012, including curating a programme for the Olympic London 2012 Festival.  She co-directed Studio Voltaire from 2008-2010 and [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><span style="font-weight: 400;">Sarah McCrory is the inaugural Director of Goldsmiths Centre for Contemporary Art (CCA) which opened in 2018. </span><span style="font-weight: 400;">Previously, she directed Glasgow International, a biennial festival of visual art, from 2013-2017, and was curator of Frieze Projects, Frieze 2010-2012, including curating a programme for the Olympic London 2012 Festival.  She co-directed Studio Voltaire from 2008-2010 and was a Director of Vilma Gold from 2006-2008. </span>Alongside these roles she presently curates the Monteverdi Gallery in Tuscany, and works as a consultant curator for LYRA Art Foundation. She sat on the Turner Prize jury in 2014, the board of Studio Voltaire, and was a founder, and subsequent board member of Open School East, London/Margate.</p>
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		<title>Avi Lubin</title>
		<link>https://trampoline-association.fr/en/commissaire/avi-lubin-2/</link>
		
		<dc:creator><![CDATA[Victoria]]></dc:creator>
		<pubDate>Fri, 17 Jul 2026 14:16:25 +0000</pubDate>
				<guid isPermaLink="false">https://trampoline-association.fr/?post_type=commissaire&#038;p=2406</guid>

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		<title>Natalia Sielewicz</title>
		<link>https://trampoline-association.fr/en/commissaire/__trashed/</link>
		
		<dc:creator><![CDATA[Victoria]]></dc:creator>
		<pubDate>Thu, 07 May 2026 07:47:00 +0000</pubDate>
				<guid isPermaLink="false">https://trampoline-association.fr/?post_type=commissaire&#038;p=2295</guid>

					<description><![CDATA[Natalia Sielewicz is an art historian, writer, and Chief Curator at the MSN in Warsaw, Poland, where she has worked since 2011. Her exhibitions and essays focus on feminism, affect culture, biopolitics, and technology. Curated exhibitions include: The Impermanent. Four Takes on the Collection (2025) (co-curated with Sebastian Cichocki, Tomasz Fudala, Magda Lipska, and Łukasz [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Natalia Sielewicz is an art historian, writer, and Chief Curator at the MSN in Warsaw, Poland, where she has worked since 2011. <span style="font-weight: 400;">Her exhibitions and essays focus on feminism, affect culture, biopolitics, and technology. Curated exhibitions include: </span><i><span style="font-weight: 400;">The Impermanent. Four Takes on the Collection</span></i><span style="font-weight: 400;"> (2025) (co-curated with Sebastian Cichocki, Tomasz Fudala, Magda Lipska, and Łukasz Ronduda), </span><i><span style="font-weight: 400;">Warsaw under Construction: Museum between the Square and the Palace</span></i><span style="font-weight: 400;"> (2024) (co-curated with Fredi Fischli and Niels Olsen and Tomasz Fudala), </span><i><span style="font-weight: 400;">Agnieszka Polska. The Thousand Year Plan</span></i><span style="font-weight: 400;"> (2021), </span><i><span style="font-weight: 400;">Paint, also known as Blood. Women, Affect and Desire in Contemporary Painting</span></i><span style="font-weight: 400;"> (2019), </span><i><span style="font-weight: 400;">Hoolifemmes</span></i><span style="font-weight: 400;"> (2017), </span><i><span style="font-weight: 400;">The Dark Arts. Aleksandra Waliszewska and Symbolism of the East and North</span></i><span style="font-weight: 400;"> (2022, co-curated with Alison Gingeras, Ministry of the Interior. Intimacy as Text (2017), </span><i><span style="font-weight: 400;">Private Settings</span></i><span style="font-weight: 400;"> (2014), </span><i><span style="font-weight: 400;">Fedir Tetyanych. The Neverending Eye</span></i><span style="font-weight: 400;"> (2022), </span><i><span style="font-weight: 400;">Bread and Roses. Artists and the Class Divide</span></i><span style="font-weight: 400;"> (2015, with Łukasz Ronduda).</span></p>
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		<title>Ruba Katrib</title>
		<link>https://trampoline-association.fr/en/commissaire/ruba-katrib-2/</link>
		
		<dc:creator><![CDATA[Victoria]]></dc:creator>
		<pubDate>Thu, 09 Jul 2026 14:08:34 +0000</pubDate>
				<guid isPermaLink="false">https://trampoline-association.fr/?post_type=commissaire&#038;p=2357</guid>

					<description><![CDATA[Ruba Katrib is the Chief Curator and Director of Curatorial Affairs at MoMA PS1, New York, where she oversees the museum’s curatorial program and serves on the leadership team. At PS1, she has organized exhibitions including Ayoung Kim: Delivery Dancer Codex (2025), The Gatherers (2025), Rirkrit Tiravanija: A LOT OF PEOPLE (2023), Jumana Manna: Break, [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Ruba Katrib<span style="font-weight: 400;"> is the Chief Curator and Director of Curatorial Affairs at MoMA PS1, New York, where she oversees the museum’s curatorial program and serves on the leadership team. At PS1, she has organized exhibitions including </span><i><span style="font-weight: 400;">Ayoung Kim: Delivery Dancer Codex</span></i><span style="font-weight: 400;"> (2025), </span><i><span style="font-weight: 400;">The Gatherers</span></i><span style="font-weight: 400;"> (2025), </span><i><span style="font-weight: 400;">Rirkrit Tiravanija: A LOT OF PEOPLE</span></i><span style="font-weight: 400;"> (2023), </span><i><span style="font-weight: 400;">Jumana Manna: Break, Take, Erase, Tally</span></i><span style="font-weight: 400;"> (2022), </span><i><span style="font-weight: 400;">Frieda Toranzo Jaeger: Autonomous Drive</span></i><span style="font-weight: 400;"> (2022), </span><i><span style="font-weight: 400;">Greater New York</span></i><span style="font-weight: 400;"> (2021), </span><i><span style="font-weight: 400;">Niki de Saint Phalle: Structures for Life</span></i><span style="font-weight: 400;"> (2021), Simone Fattal’s retrospective (2019), as well as solo exhibitions by Edgar Heap of Birds (2019), Karrabing Collective (2019), Fernando Palma Rodríguez, and Julia Phillips (2018). From 2012 to 2018, Katrib was Curator at SculptureCenter, New York, where she organized over twenty exhibitions, including </span><i><span style="font-weight: 400;">74 million million million tons</span></i><span style="font-weight: 400;"> (2018, co-organized with artist Lawrence Abu Hamdan), and solo shows by Carissa Rodriguez, Kelly Akashi, Sam Anderson, Teresa Burga, Nicola L., Charlotte Prodger, Rochelle Goldberg, Aki Sasamoto, Cosima von Bonin, Anthea Hamilton, Araya Rasdjarmrearnsook, Magali Reus, Gabriel Sierra, Erika Verzutti, and David Douard. In 2018, Katrib co-curated SITE Santa Fe’s biennial, </span><i><span style="font-weight: 400;">Casa Tomada</span></i><span style="font-weight: 400;">, with José Luis Blondet and Candice Hopkins. </span></p>
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		<title>Claire Tancons</title>
		<link>https://trampoline-association.fr/en/commissaire/claire-tancons-2/</link>
		
		<dc:creator><![CDATA[Victoria]]></dc:creator>
		<pubDate>Fri, 17 Jul 2026 14:21:01 +0000</pubDate>
				<guid isPermaLink="false">https://trampoline-association.fr/?post_type=commissaire&#038;p=2409</guid>

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		<title>Tamsin Hong</title>
		<link>https://trampoline-association.fr/en/commissaire/tamsin-hong-2/</link>
		
		<dc:creator><![CDATA[Victoria]]></dc:creator>
		<pubDate>Mon, 25 May 2026 21:28:32 +0000</pubDate>
				<guid isPermaLink="false">https://trampoline-association.fr/?post_type=commissaire&#038;p=2299</guid>

					<description><![CDATA[Tamsin Hong is a contemporary international art curator based in London, specialising in women’s knowledge systems and embodied practices. Born on unceded Ngunnawal Country in the land now known as Australia, Hong is Exhibitions Curator at Serpentine where her projects include Arpita Singh: Remembering (2025), Yinka Shonibare CBE: Suspended States (2024) and Georg Baselitz: Sculptures [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><span style="font-weight: 400;">Tamsin Hong is a contemporary international art curator based in London, specialising in women’s knowledge systems and embodied practices. </span>Born on unceded Ngunnawal Country in the land now known as Australia, Hong is Exhibitions Curator at Serpentine where her projects include <i>Arpita Singh: Remembering </i>(2025), Yinka<i> Shonibare CBE: Suspended States </i>(2024) and <i>Georg Baselitz: Sculptures 2011-2015 </i>(2023). She was formerly Assistant Curator at Tate, specialising in performance, African, and Australian acquisitions. Hong co-curated the land-rights exhibition, <i>A Year in Art: Australia 1992 </i>and performances including Lee Mingwei’s <i>Our Labyrinth </i>and the 2020 Live Exhibition, <i>Our Bodies, Our Archives</i>.</p>
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		<title>Max Delany</title>
		<link>https://trampoline-association.fr/en/commissaire/max-delany-2/</link>
		
		<dc:creator><![CDATA[Victoria]]></dc:creator>
		<pubDate>Thu, 09 Jul 2026 14:15:56 +0000</pubDate>
				<guid isPermaLink="false">https://trampoline-association.fr/?post_type=commissaire&#038;p=2360</guid>

					<description><![CDATA[Max Delany is an independent curator and writer with extensive leadership and curatorial experience across public art museums, contemporary art spaces, universities, publications and the public realm. Max was Artistic Director and Chief Executive Officer at the Australian Centre for Contemporary Art, Melbourne, from 2016–2024. He was formerly Senior Curator, Contemporary Art, at the National Gallery [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><span style="font-weight: 400;">Max Delany is an independent curator and writer with extensive leadership and curatorial experience across public art museums, contemporary art spaces, universities, publications and the public realm. </span><span style="font-weight: 400;">Max was Artistic Director and Chief Executive Officer at the </span><span style="font-weight: 400;">Australian Centre for Contemporary Art</span><span style="font-weight: 400;">, Melbourne, from 2016–2024. He was formerly Senior Curator, Contemporary Art, at the </span><span style="font-weight: 400;">National Gallery of Victoria</span><span style="font-weight: 400;">, Melbourne (2012–2016), and Director, </span><span style="font-weight: 400;">Monash University Museum of Art</span><span style="font-weight: 400;"> (2004–2012). Previous roles have included Director, </span><span style="font-weight: 400;">Gertrude Contemporary</span><span style="font-weight: 400;"> (1999–2004); and Curator, </span><span style="font-weight: 400;">Heide Museum of Modern Art</span><span style="font-weight: 400;"> (1995–1999). </span>Since 2011 Max has held the position of adjunct Associate Professor, Curatorial Practice, Monash Art, Design and Architecture, Monash University, and is currently Chair of Next Wave.</p>
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