Following the invitation of curator Irene Caledroni, the artist Gaëlle Choisne participates in a residency at Scuola Piccola Zattere, Venice, Italy.

Scuola Piccola Zattere is a non-profit space for continuous education and research in the expanded field of contemporary arts in Venice. Its activities encompass exhibitions, commissions, residencies and fellowships, workshops, seminars, discursive and performative events, following an integrated methodological approach that encourages mutual influences among formats of study, production, and fruition.

Temple of love. Cœur (09/05-12/10/2025) is the exhibition that concludes Gaëlle Choisne’s research and production residency at Scuola Piccola Zattere, where the artist presents a new chapter in her series of exhibitions inspired by Roland Barthes’ Fragments d’un discours amoureux. Curated by Irene Calderoni and Eva Vaslamatzi, this chapter of the project weaves a dense, loving and generative dialogue between the artist’s works and a selection of works by Haitian artists from the collection of French writer and documentary filmmaker Jean Marie Drot.

Trampoline supports the residencies abroad of two emerging artists of the French art scene ; Aria Maillot, a graduate of IsdaT, l’institut supérieur des arts et du design de Toulouse, and Laurie Hauff, a graduate of M.O.C.O École supérieure des beaux-arts de Montpellier. Both artists will benefit from a three-month creative residency at Fonderie Darling, a visual arts center in Montreal, and a two-week visit to Gaspésie, at the Gare de Matapédia – Pôle artistique et communautaire.

Trampoline support the participation of artist Mona Cara in Solar dos Abacaxis Residency, Rio de Janeiro, Brazil.

Oficina Solar is an annual artistic residency developed by Solar dos Abacaxis since 2023 to encourage the practice of research, teaching and training of independent artists, sharing this process with the public through a programme offered by the artists themselves. The program has a studio-school practice in which each resident develops their research in the studio space and unfolds it in workshops at solar and partner institutions.

Mona Cara (1997, Hyères) explores the intersection between tapestry and comic books to weave contemporary pop frescoes that reveal the peculiarities of modernity and the ecological disaster it causes. Her work, marked by absurd and current situations, transforms chaos into a joyful apocalypse. Using jacquard weaving and manual techniques, the artist challenges mass production and creates compositions that mix industrial and pictorial elements, generating works full of paradoxes and surprises. To prepare her research in residency, the artist worked in collaboration with textile artists from the TransBorda collective with collaborators from Maré and Tijuquinha communities. Together they created a tapestry that combines jacquard, crochet and fishing net weaving techniques. Part of the piece was made in France, at Tissages de Charlieu, while the mermaid tail was made in Rio. Her research was nourished by a deep relationship with the sea, the fishing colony of Copacabana and the image of Yemanjá that were present throughout her investigations. Artistic assistance : Luciana Magalhães da Silveira ; Susana Soraia de Lima Brito Oliveira ; Antonia Zilma Sousa Araújo ; Renata Ribeiro Florêncio ; Silvia de Melo Meireles

Trampoline support the participation of artists Elvia Teotski, Helene Yamba-Guimbi and Eva Medin in SOMA Summer 2024.

SOMA Summer is an intensive three-week residency program for artistic inquiry that welcomes a cohort of international artists, curators, critics, and art historians interested in collaborative pedagogical models.

Held in Mexico City and conducted in English, each SOMA Summer is organized around a different theme that provides a compelling conceptual framework for research and creative work. Previous themes have explored ideas related to authoritarianism, sustainability, revisionist history, among others.

Through a series of daily activities such as seminars, reading discussions, studio visits, group and individual critiques, the program aims to foster critical thinking among participants and provides a lively opportunity for understanding different perspectives within the artistic and creative realm.

Trampoline supports the residencies abroad of two emerging artists of the French art scene ; Mélodie Bajo, a graduate of IsdaT, l’institut supérieur des arts et du design de Toulouse, and Maddie Tait Jamieson, a graduate of M.O.C.O École supérieure des beaux-arts de Montpellier. Both artists will benefit from a three-month creative residency at Fonderie Darling, a visual arts center in Montreal, and a two-week visit to Gaspésie, at the Gare de Matapédia – Pôle artistique et communautaire.